Online May 2 - 4
Photo courtesy: Film Heritage Foundation
Indie Meme Special 10th Year
Retrospective Showcase
Sad Letters of an Imaginary Woman
India | Narrative Feature
2023 | 79 mins | Hindi
Limited tickets available on site.
Nidhi (43) and her mother Meera (70) exist in a decaying ancestral house, a physical manifestation of their stagnant lives. Nidhi's childhood was marred by a traumatic event involving her father that left her emotionally isolated and perpetually melancholic. She grapples with her past by writing haunting letters to her younger self, lamenting what could have been and warning her of what awaits. Meera harbors deep regrets over an unrequited love
affair that never came to fruition, a wistful yearning that compounds her sense of failure as a mother witnessing Nidhi's profound despair. Yet, a flicker of hope remains – the possibility of Nidhi finding solace. When Nidhi discovers an ancient mystical ritual that promises oblivion through vanishing, the idea takes root. Meera, in a last act of love, decides to join Nidhi on this metaphysical journey into nothingness. As mother and daughter perform the rites, the barriers between past and present dissolve.
Memories bleed into the present, echoing their anguished cries long suppressed by society's expectations.On one transcendent night, enveloped in darkness, they disappear - two flightless birds finally freed from their corporeal and emotional prisons. An experimental meditation on the complex struggles women endure.
Film Heritage Foundation used the best surviving elements for the restoration – the original camera negative and the 35 mm print preserved at the NFDC – NFAI. Unfortunately, the sound negative was not available. We digitized the sound from the 35 mm print preserved at Film Heritage Foundation. The film elements were repaired by the Film Heritage Foundation conservators and the scanning was done in Prasad Lab in Chennai We found that due to the deterioration of the print, there were vertical green lines on many parts of the film. While the scanning and digital clean-up was done at Prasad under the supervision of L’Immagine Ritrovata in Bologna, the grading, sound restoration and mastering was done at the lab in Bologna. Both Shyam Benegal and Govind Nihalani, the cinematographer of the film, have been involved in the restoration of the film.
Restoration Process
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Photo courtesy: Film Heritage Foundation
The screening will be preceded by a performance by Specific Thing.
Specific Thing is the project of local musician Román. Sometimes he plays by himself and sometimes he plays with his snazzy band — he loves to do both! And the music? It draws from folk, punk, pop, latin, communism, animals, friends... He likes to keep it cartoony, quick, and catchy. The band released an album in 2025 called "Now Is Actually Not A Good Time". Find more at @specificthing on Instagram.
Meet Specific Thing
About the Artist
Photo courtesy:
Film Heritage Foundation
Photo courtesy: Film Heritage Foundation
Trailer
Credits
Director:
Nidhi Saxena
Writer:
Nidhi Saxena
Producers:
Vimukthi Jayasundara
Ajender Singh
Film Editor:
Saman Alvitigala
Anamika Tiwari
Bhadra Basu
Pratiksha Rakesh Bhai
Nabanita Chakrabortya
Avinash Gupta
Restoration Effort Led By: Shivendra Singh Dungarpur, Director, Film Heritage Foundation
Restoration Credit:
Restored by Film Heritage Foundation in association with Gujarat Co-operative Milk Marketing Federation Ltd.(Amul), the cinematographer Govind Nihalani and the director Shyam Benegal. Funding supported by Gujarat Co-operative Milk Marketing Federation Ltd.(Amul)