Online May 2 - 4

Photo courtesy: Film Heritage Foundation
Indie Meme Special 10th Year
Retrospective Showcase
The Threshold
India | Narrative Feature
2015 | 87 mins | Hindi,English
Limited tickets available on site.
The Threshold details one day in the life of a couple who have been married over two decades.
On this day, the day after their newly married son, and the guests from his wedding party, have left, the wife informs her husband that she is leaving him. For good.
Presented with this fait accompli, two people on the verge of an idyllic retirement are forced to
confront the truth of their marriage, without the masks.
Even as the couple tries to get to the heart of the matter, they find the big questions of their lives beyond their grasp. They are two people, isolated in a house in the hills, preparing for the harsh Himalayan winter, trying to find themselves one last time.
This film was an opportunity to explore a corner of our world that never makes it onto screen. The people we don’t normally notice. The people who are always at the edges of the family photograph. Except we know these people. They are our aunts and uncles. They are our parents. They are our grandparents. We will become them.
It was an opportunity to examine an existential crisis: The unraveling of the idea of the ideal Indian marriage all of us are familiar with.

Film Heritage Foundation used the best surviving elements for the restoration – the original camera negative and the 35 mm print preserved at the NFDC – NFAI. Unfortunately, the sound negative was not available. We digitized the sound from the 35 mm print preserved at Film Heritage Foundation. The film elements were repaired by the Film Heritage Foundation conservators and the scanning was done in Prasad Lab in Chennai We found that due to the deterioration of the print, there were vertical green lines on many parts of the film. While the scanning and digital clean-up was done at Prasad under the supervision of L’Immagine Ritrovata in Bologna, the grading, sound restoration and mastering was done at the lab in Bologna. Both Shyam Benegal and Govind Nihalani, the cinematographer of the film, have been involved in the restoration of the film.
Restoration Process
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Photo courtesy: Film Heritage Foundation
The screening will be preceded by a performance by Specific Thing.
Specific Thing is the project of local musician Román. Sometimes he plays by himself and sometimes he plays with his snazzy band — he loves to do both! And the music? It draws from folk, punk, pop, latin, communism, animals, friends... He likes to keep it cartoony, quick, and catchy. The band released an album in 2025 called "Now Is Actually Not A Good Time". Find more at @specificthing on Instagram.
Meet Specific Thing

About the Artist

Photo courtesy:
Film Heritage Foundation
Pushan Kriplani is a cinematographer and a theater director. He graduated with a degree in English literature and earned his Master’s in Film and TV production from the University of Bristol, with a sprecialization in Cinematography.
He has worked on over thirty productions for the stage and for the radio, in capacities ranging from director to actor to designer, musician and producer. He is a founder member of the industrial theater co. As a cinematograpger, he has filmed several features, as well as commercials, documentaries and shorts, working with Shyam Benegal, Ram Madhvani and Zafar Hai, amongst others, as well as for National Geographic, Discovery and the BBC.
He has also directed six documentary shorts. He lives and works in Mumbai, India. This is his first feature film as director.

Photo courtesy: Film Heritage Foundation
Trailer
Credits
Director:
Pushan Kriplani
Writer:
Nihaarika Negi
with
Neena Gupta
Rajit Kapur
Pushan Kriplani
Producers:
Vishal Dhandhia
Akshat Shah
Film Editor:
Pradip Patil
Neena Gupta
Rajit Kapur
Dhanendra Kawade
Restoration Effort Led By: Shivendra Singh Dungarpur, Director, Film Heritage Foundation
Restoration Credit:
Restored by Film Heritage Foundation in association with Gujarat Co-operative Milk Marketing Federation Ltd.(Amul), the cinematographer Govind Nihalani and the director Shyam Benegal. Funding supported by Gujarat Co-operative Milk Marketing Federation Ltd.(Amul)